Abolition Geography: Essays Towards Liberation - REVIEW

by Ruth Wilson Gilmore

The first collection of writings from one of the foremost contemporary critical thinkers on racism, geography and incarceration

Gathering together Ruth Wilson Gilmore’s work from over three decades, Abolition Geography presents her singular contribution to the politics of abolition as theorist, researcher, and organizer, offering scholars and activists ways of seeing and doing to help navigate our turbulent present.

Abolition Geography moves us away from explanations of mass incarceration and racist violence focused on uninterrupted histories of prejudice or the dull compulsion of neoliberal economics. Instead, Gilmore offers a geographical grasp of how contemporary racial capitalism operates through an “anti-state state” that answers crises with the organized abandonment of people and environments deemed surplus to requirement. Gilmore escapes one-dimensional conceptions of what liberation demands, who demands liberation, or what indeed is to be abolished. Drawing on the lessons of grassroots organizing and internationalist imaginaries, Abolition Geography undoes the identification of abolition with mere decarceration, and reminds us that freedom is not a mere principle but a place.

Edited with an introduction by Brenna Bhandar and Alberto Toscano.

Ruth Wilson Gilmore is Professor of Earth & Environmental Sciences, and American Studies at the Graduate Center of the City University of New York, where she is also Director of the Center for Place, Culture, and Politics. She is the author of Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California. Honors include the American Studies Association Angela Y. Davis Award for Public Scholarship (2012); the Association of American Geographers' Harold Rose Award for Anti-Racist Research and Practice (2014); the SUNY-Purchase College Eugene V. Grant Distinguished Scholar Prize for Social and Environmental Justice (2015-16); and the American Studies Association Richard A Yarborough Mentorship Award (2017).

Verso
ISBN-13 978-1839761706

The State of Black Progress: Confronting Government and Judicial Obstacles - REVIEW

Edited by Star Parker

Black Americans have arguably arrived at the height of their cultural prominence. In politics, entertainment, academia, and nearly every sphere of influence, “black issues” dominate the national discussion. Yet many black Americans are suffering more than ever from the blight of poverty, physical and mental health struggles, lack of opportunity, and failing schools.

This edited volume, sponsored by the Center for Urban Renewal and Education and featuring contributions from W.B. Allen, Judge Janice Rogers Brown (ret.), Ian Rowe, Sally Pipes, Stephen Moore, and others, addresses this question in light of American values and the history of constitutional jurisprudence. In the 1860s, black America was promised emancipation but continued to experience subjugation. In the 1960s, black America was promised equality but was frequently exploited. Racial discrimination played a role, but in the intervening decades misguided progressive policies and the normalization of victimhood rhetoric has proven even more disastrous. By failing to live up to American ideals, our nation denied many black Americans their chance at the American Dream.

The scholars and luminaries who contributed to this volume believe that what has been lost can be recovered. If our nation recognizes the history of our current predicament, embraces the founding principles that made America an economic powerhouse, and commits to an agenda of empowering fiscal, educational, and faith and family-affirming policies, then black Americans can overcome the obstacles that most hamper progress in their communities.

Star Parker is President of the Center for Urban Renewal and Education (CURE), which she founded in 1995. She serves on the US Commission on Civil Rights California Advisory Committee and previously served on the US Frederick Douglass Bicentennial Commission. In 2017, Parker joined the White House Opportunity Initiative advisory team and has served on the board of directors of the National Religious Broadcasters and the Leadership Institute.

Parker is a nationally syndicated columnist and the author of several books, including Uncle Sam's Plantation: How Big Government Enslaves America's Poor and What We Can Do About It; White Ghetto: How Middle-Class America Reflects Inner City Decay; and Pimps, Whores and Welfare Brats: From Welfare Cheat to Conservative Messenger.

Encounter Books
ISBN-13 978-1641773416

The Cambridge Companion to Contemporary African American Literature - REVIEW

Edited by Yogita Goyal

African American literature has changed in startling ways since the end of the Black Arts Era. The last five decades have generated new paradigms of racial formation and novel patterns of cultural production, circulation, and reception. This volume takes up the challenge of mapping the varied and changing field of contemporary African American writing. Balancing the demands of historical and political context with attention to aesthetic innovation, it considers the history, practice, and future directions of the field. Examining various historical forces shaping the creation of innovative genres, the turn to the afterlife of slavery, the pull toward protest, and the impact of new and expanded geographies and methods, this Companion provides an invaluable point of reference for readers seeking rigorous and cutting-edge analyses of contemporary African American literature.

Yogita Goyal is Professor of African American Studies and English at UCLA and author of Romance, Diaspora, and Black Atlantic Literature (2010) and Runaway Genres: The Global Afterlives of Slavery (2019; winner of ACLA's René Wellek Prize). She edited The Cambridge Companion to Transnational American Literature (2017) and has published widely on African diaspora, postcolonial, and US literature.

Cambridge University Press
ISBN-13 978-1009159715

Circulating Jim Crow: The Saturday Evening Post and the War Against Black Modernity - REVIEW

by Adam McKible

In the early twentieth century, the Saturday Evening Post was perhaps the most popular and influential magazine in the United States, establishing literary reputations and shaping American culture. In the popular imagination, it is best remembered for Norman Rockwell’s covers, which nostalgically depicted a wholesome and idyllic American way of life. But beneath those covers lurked a more troubling reality. Under the direction of its longtime editor, George Horace Lorimer, the magazine helped justify racism and white supremacy. It published works by white authors that made heavy use of paternalistic tropes and demeaning humor, portraying Jim Crow segregation and violence as simple common sense.

Circulating Jim Crow demonstrates how the Post used stereotypical dialect fiction to promulgate white supremacist ideology and dismiss Black achievements, citizenship, and humanity. Adam McKible tells the story of Lorimer’s rise to prominence and examines the white authors who provided the editor and his readers with the caricatures they craved. He also explores how Black writers of the Harlem Renaissance pushed back against the Post and its commodified racism. McKible places the erstwhile household names who wrote for the magazine in conversation with figures such as Paul Laurence Dunbar, F. Scott Fitzgerald, Ann Petry, W. E. B. Du Bois, and William Faulkner. Revealing the role of the Saturday Evening Post in normalizing racism for millions of readers, this book also offers a new understanding of how Black writers challenged Jim Crow ideology.

Columbia University Press
ISBN-13 978-0231212649

The Little Liar: A Novel - REVIEW

by Mitch Albom 

Eleven-year-old Nico Krispis has never told a lie. His schoolmate, Fannie, loves him because of it. Nico’s older brother Sebastian resents him for both these facts. When their young lives are torn apart during the war, it will take them decades to find each other again.

Nico’s innocence and goodness is used against his tightly knit community when a German officer barters Nico’s reputation for honesty into a promise to save his loved ones. When Nico realizes the consequences of the betrayal, he can never tell the truth again. He will spend the rest of this life changing names, changing locations and identities, desperate to find a way to forgiveness—for himself and from the people he loves most.

Albom’s extraordinary storytelling is at its powerful best in his first novel to confront the destruction that lying can wreak both on the world stage as well as on the individual lives that get caught up in it. As The Stranger in the Lifeboat spoke to belief, The Little Liar speaks to hope, in a breathless work that will break your heart open and fill it with the power of the human spirit and the goodness that lies within us all.

Mitch Albom is the author of numerous books of fiction and nonfiction, which have collectively sold more than forty million copies in forty-seven languages worldwide. He has written seven number-one New York Times bestsellers – including Tuesdays with Morrie, the bestselling memoir of all time, which topped the list for four straight years – award-winning TV films, stage plays, screenplays, a nationally syndicated newspaper column, and a musical. Through his work at the Detroit Free Press, he was inducted into both the National Sports Media Association and Michigan Sports halls of fame and is the recipient of the 2010 Red Smith Award for lifetime achievement. After bestselling memoir Finding Chika and “Human Touch,” the weekly serial written and published online in real-time to raise funds for pandemic relief, his latest work is a return to fiction with The Stranger in the Lifeboat (Harper, November 2021). He founded and oversees SAY Detroit, a consortium of nine different charitable operations in his hometown, including a nonprofit dessert shop and food product line to fund programs for Detroit’s most underserved citizens. He also operates an orphanage in Port-Au-Prince, Haiti, which he visits monthly. He lives with his wife, Janine, in Michigan. Learn more at www.mitchalbom.com, www.saydetroit.org, and www.havefaithaiti.org.

Harper
ISBN-13 978-0062406651

The Violin Conspiracy: A Novel - REVIEW

by Brendan Slocumb

Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world.

Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. 

When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.

Vintage
ISBN-13 978-0593315422

Devil Is Fine: A Novel - REVIEW

by John Vercher

From acclaimed novelist John Vercher, a profoundly moving novel of what it means to be a father, a son, a writer, and a biracial American fighting to reconcile the past.

Reeling from the sudden death of his teenage son, our narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged grandfather. He travels to a beach town several hours south of his home with the intention of immediately selling the land. But upon inspection, what lies beneath the dirt is much more than he can process in the throes of grief. As a biracial Black man struggling with the many facets of his identity, he’s now the owner of a former plantation passed down by the men on his white mother’s side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovery-and a fight for reclamation-of a painful past. With the wit of Paul Beatty’s The Sellout and the nuance of Zadie Smith’s On Beauty, Devil Is Fine is a darkly funny and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

John Vercher lives in the Philadelphia region with his wife and two sons. He has a Bachelor’s in English from the University of Pittsburgh and an MFA in Creative Writing from the Mountainview Master of Fine Arts program. John serves as an Assistant Teaching Professor in the Department of English & Philosophy at Drexel University and was the inaugural Wilma Dykeman writer-in-residence at the University of North Carolina, Asheville. His debut novel, Three-Fifths, was named one of the best books of the year by the Chicago Tribune and Booklist. It was nominated for the Edgar and Strand Magazine Critics’ Awards for Best First Novel. His second novel, After the Lights Go Out, called “shrewd and explosive” by The New York Times, was named a Best Book of Summer 2022 by BookRiot and Publishers Weekly, and named a Booklist Editor’s Choice Best Book of 2022.

Celadon Books
ISBN-13 978-1250894489

The Double V Campaign: African Americans Fighting for Freedom at Home and Abroad - REVIEW

by Lea Lyon

The rousing story of the Double V Campaign, started during World War II to encourage Black Americans to fight for freedom overseas and at home.

When the United States entered World War II, young African Americans across the country faced a difficult dilemma. Why should they risk their lives fighting for freedoms in other nations that they did not have at home? The solution: fight two wars at once—for freedom abroad and freedom for Black people in America. A Double Victory!

In The Double V Campaign, Lea Lyon details this fascinating, little-known part of American history. A young journalist, civil service employee, and aircraft plant cafeteria worker named James G. Thompson came up with the simple yet powerful Double V slogan to represent the fight for victory against the enemy abroad and the fight for victory against racial discrimination at home. Lyon shows how the popular Black-owned newspaper the Pittsburgh Courier, along with other Black newspapers, activists, the NAACP, and others, used the Double V Campaign to push for changes in the segregation and discriminatory practices in the military and defense industry, and how the campaign influenced and enhanced the Civil Rights Movement to come.

The Double V Campaign gave voice to African American communities throughout the war and inspired hundreds of thousands to continue speaking up against discrimination in the years that followed. It is a powerful story of fighting for what is right, of fighting for change and equality even when those in positions of power are telling you to stop, and the strength of a united voice to effect change.

Lea Lyon is an award-winning author and illustrator and a former Illustrator Coordinator for the Society of Children’s Book Writers and Illustrators (SCBWI) San Francisco chapter. Her most recent books include It Rained Warm Bread—a middle grade novella by Hope Anita Smith with Gloria Moskowitz-Sweet and developed and illustrated by Lyon, which garnered a starred review from Kirkus, a 2019 Best Nonfiction Book in Verse for Young Readers from Kirkus, and an ALA Notable book for 2020—and Ready to Fly: How Sylvia Townsend Became the Bookmobile Ballerina by Lyon and A. LaFaye which was picked up by Scholastic Book Club, a 2021 Bank Street Best Children's Book, and included in the Independent Bookstore Kids Next list.

Rowman & Littlefield Publishers
ISBN-13 978-1538184653

A Home Away from Home: Mutual Aid, Political Activism, and Caribbean American Identity - REVIEW

by Tyesha Maddox

A Home Away from Home examines the significance of Caribbean American mutual aid societies and benevolent associations to the immigrant experience, particularly their implications for the formation of a Pan-Caribbean American identity and Black diasporic politics.

At the turn of the twentieth century, New York City exploded with the establishment of mutual aid societies and benevolent associations. Caribbean immigrants, especially women, eager to find their place in a bustling new world, created these organizations, including the West Indian Benevolent Association of New York City, founded in 1884. They served as forums for discussions on Caribbean American affairs, hosted cultural activities, and provided newly arrived immigrants with various forms of support, including job and housing assistance, rotating lines of credit, help in the naturalization process, and its most popular function-sickness and burial assistance. In examining the number of these organizations, their membership, and the functions they served, Tyesha Maddox argues that mutual aid societies not only fostered a collective West Indian ethnic identity among immigrants from specific islands, but also strengthened kinship networks with those back home in the Caribbean. Especially important to these processes were Caribbean women such as Elizabeth Hendrickson, co-founder of the American West Indian Ladies’ Aid Society in 1915 and the Harlem Tenants’ League in 1928.

Immigrant involvement in mutual aid societies also strengthened the belief that their own fate was closely intertwined with the social, economic, and political welfare of the Black international community. A Home Away from Home demonstrates how Caribbean American mutual aid societies and benevolent associations in many ways became proto-Pan-Africanist organizations.

Tyesha Maddox is Assistant Professor of African & African American Studies at Fordham University.

University of Pennsylvania Press
ISBN-13 978-1512824544

Hitler in Los Angeles: How Jews Foiled Nazi Plots Against Hollywood and America - REVIEW

by Steven J. Ross

No American city was more important to the Nazis than Los Angeles, home to Hollywood, the greatest propaganda machine in the world. The Nazis plotted to kill the city's Jews and to sabotage the nation's military installations: Plans existed for murdering twenty-four prominent Hollywood figures, such as Al Jolson, Charlie Chaplin, and Louis B. Mayer; for driving through Boyle Heights and machine-gunning as many Jews as possible; and for blowing up defense installations and seizing munitions from National Guard armories along the Pacific Coast.

U.S. law enforcement agencies were not paying close attention--preferring to monitor Reds rather than Nazis--and only attorney Leon Lewis and his daring ring of spies stood in the way. From 1933 until the end of World War II, Lewis, the man Nazis would come to call “the most dangerous Jew in Los Angeles,” ran a spy operation comprised of military veterans and their wives who infiltrated every Nazi and fascist group in Los Angeles. Often rising to leadership positions, they uncovered and foiled the Nazi's disturbing plans for death and destruction.

Featuring a large cast of Nazis, undercover agents, and colorful supporting players, the Los Angeles Times­ bestselling Hitler in Los Angeles, by acclaimed historian Steven J. Ross, tells the story of Lewis's daring spy network in a time when hate groups had moved from the margins to the mainstream.

Steven J. Ross is professor of history at the University of Southern California and director of the Casden Institute for the Study of the Jewish Role in American Life. He is the author of Hollywood Left and Right, recipient of the Academy of Motion Picture Arts and Sciences’ Film Scholars Award and nominated for a Pulitzer; Working-Class Hollywood, nominated for a Pulitzer and the National Book Award; Movies and American Society; and Workers on the Edge. He lives in Southern California. http://scalar.usc.edu/works/hitler-in-los-angeles/index

Bloomsbury
ISBN-13 978-1620405628

See Justice Done: The Problem of Law in the African American Literary Tradition - REVIEW

by Christopher Michael Brown

In See Justice Done: The Problem of Law in the African American Literary Tradition, author Christopher Michael Brown argues that African American literature has profound and deliberate legal roots. Tracing this throughline from the eighteenth century to the present, Brown demonstrates that engaging with legal culture in its many forms—including its conventions, paradoxes, and contradictions—is paramount to understanding Black writing.

Brown begins by examining petitions submitted by free and enslaved Blacks to colonial and early republic legislatures. A virtually unexplored archive, these petitions aimed to demonstrate the autonomy and competence of their authors. Brown also examines early slave autobiographies such as Olaudah Equiano’s Interesting Narrative and Mary Prince’s History, which were both written in the form of legal petitions. These works invoke scenes of Black competence and of Black madness, repeatedly and simultaneously.

Early Black writings reflect how a Black Atlantic world, organized by slavery, refused to acknowledge Black competence. By including scenes of Black madness, these narratives critique the violence of the law and predict the failure of future legal counterparts, such as Plessy v. Ferguson, to remedy injustice. Later chapters examine the works of more contemporary writers, such as Sutton E. Griggs, George Schuyler, Toni Morrison, and Edward P. Jones, and explore varied topics from American exceptionalism to the legal trope of "colorblindness." In chronicling these interactions with jurisprudential logics, See Justice Done reveals the tensions between US law and Black experiences of both its possibilities and its perils.

Christopher Michael Brown is assistant professor of English at Wake Forest University, where he teaches courses on African American literature and legal culture. His research has been supported by fellowships from the American Council of Learned Societies and the Ford Foundation.

University Press of Mississippi
ISBN-13 978-1496848192

Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song - REVIEW

by Judith Tick

A landmark biography that reclaims Ella Fitzgerald as a major American artist and modernist innovator.

Ella Fitzgerald (1917–1996) possessed one of the twentieth century’s most astonishing voices. In this first major biography since Fitzgerald’s death, historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist.

Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer’s difficult childhood in Yonkers, New York, the tragic death of her mother, and the year she spent in a girls’ reformatory school-where she sang in its renowned choir and dreamed of being a dancer. Rarely seen profiles from the Black press offer precious glimpses of Fitzgerald’s tense experiences of racial discrimination and her struggles with constricting models of Black and white femininity at midcentury.

Tick’s compelling narrative depicts Fitzgerald’s complicated career in fresh and original detail, upending the traditional view that segregates vocal jazz from the genre’s mainstream. As she navigated the shifting tides between jazz and pop, she used her originality to pioneer modernist vocal jazz. Interpreting long-lost setlists, reviews from both white and Black newspapers, and newly released footage and recordings, the book explores how Ella’s transcendence as an improvisor produced onstage performances every bit as significant as her historic recorded oeuvre.

From the singer’s first performance at the Apollo Theatre’s famous “Amateur Night” to the Savoy Ballroom, where Fitzgerald broke through with Chick Webb’s big band in the 1930s, Tick evokes the jazz world in riveting detail. She describes how Ella helped shape the bebop movement in the 1940s, as she joined Dizzy Gillespie and her then-husband, Ray Brown, in the world-touring Jazz at the Philharmonic, one of the first moments of high-culture acceptance for the disreputable art form.

Breaking ground as a female bandleader, Fitzgerald refuted expectations of musical Blackness, deftly balancing artistic ambition and market expectations. Her legendary exploration of the Great American Songbook in the 1950s fused a Black vocal aesthetic and jazz improvisation to revolutionize the popular repertoire. This hybridity often confounded critics, yet throughout the 1970s and 1980s, Ella reached audiences around the world, electrifying concert halls, and sold millions of records.

A masterful biography, Becoming Ella Fitzgerald describes a powerful woman who set a standard for American excellence nearly unmatched in the twentieth century.

W. W. Norton & Company
ISBN-13 978-0393241051